Kevin Kelly’s latest essay introduced me to a concept I hadn’t quite considered before: the “exoself.” Not a humanoid robot, but an AI that becomes an extension of our own minds through memory, context, and continuity. The more I thought about it, the more I realized we may already be taking the first steps toward that future—one useful conversation at a time.
We’re Already Building Our Exoselves Read More »
Canada Day always reminds me how many of my favourite science fiction writers turn out to be Canadian. From celebrated authors to passionate fandom and the Aurora Awards, Canada has quietly made an outsized contribution to speculative fiction—and it’s a legacy I’m proud to be part of.
Canada Day and Canadian Science Fiction Read More »
The new Dune 3 trailer should have filled me with anticipation. Instead, it left me uneasy. Not because Denis Villeneuve lacks skill as a filmmaker—far from it—but because the films seem determined to undercut Paul Atreides’ triumph before it ever truly lands. Which raises a larger question: Have modern storytellers become afraid of heroic endings? From Dune to grimdark fantasy to prestige science fiction, modern stories increasingly distrust hope, sincerity, and unapologetic victory. But is that really what audiences want—or simply what the industry keeps giving them?
Are Modern Storytellers Afraid of Happy Endings? Read More »
“Writing short stories started as a clever way to outsmart publishing algorithms, but it quickly became a passion. They’re fast, fierce, and let me explore parts of my worlds that novels can’t always reach.”
Why I Write (and Read) Short Stories — Part II. Read More »
“Short stories are like paper planes—light, quick to launch, and sometimes, they soar higher than you’d ever expect. They’re small vessels that carry big ideas.”
Why I Write (and Read) Short Stories. Read More »