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News
- National Eat Vegetables Day and the Future of Meat
National Eat Vegetables Day may seem like an unlikely inspiration for a science fiction discussion, but current debates about meat consumption raise fascinating questions about the future. As health concerns, environmental pressures, and changing social attitudes converge, SF readers are uniquely positioned to ask where these trends might lead. Will meat remain a permanent feature of human civilization, or will future generations view it as an outdated and unsustainable practice? - Why Every Sci-Fi Fan Should Try Photographing the Night Sky with Their Phone
Modern smartphones have become surprisingly capable astronomy cameras, making it easier than ever to capture stars, planets, and even the Milky Way. But the real appeal isn’t the technology—it’s the experience of looking up at the night sky and connecting with the vast universe beyond our everyday concerns. For science fiction readers, photographing the cosmos can be a powerful reminder of why we look to the stars in the first place. - The Future Always Looks Impossible, at First
A massive bridge in China that cuts a two-hour journey down to two minutes looks like something from science fiction. But perhaps that’s the point. Humanity has a long history of turning the impossible into ordinary infrastructure — and if we can build wonders like this on Earth, what might we eventually achieve in space? - Readers Never Actually Fell Out of Love with Space Opera
For years, science fiction seemed determined to convince us the future would be smaller, darker, and more cynical than the present. But readers never actually abandoned space opera. They still wanted starships, exploration, galactic civilizations, and futures worth fighting for. Now, as film, television, and publishing slowly rediscover large-scale science fiction, it feels like space opera is finally stepping back into the spotlight — jet packs and all. - Are Modern Storytellers Afraid of Happy Endings?
The new Dune 3 trailer should have filled me with anticipation. Instead, it left me uneasy. Not because Denis Villeneuve lacks skill as a filmmaker—far from it—but because the films seem determined to undercut Paul Atreides’ triumph before it ever truly lands. Which raises a larger question: Have modern storytellers become afraid of heroic endings? From Dune to grimdark fantasy to prestige science fiction, modern stories increasingly distrust hope, sincerity, and unapologetic victory. But is that really what audiences want—or simply what the industry keeps giving them?