Cameron Cooper reviews

THE WOMAN WHO REMEMBERED YESTERDAY Is Now Available

This story didn’t behave the way I expected it to.

I wrote it during a workshop, surrounded by writers whose approach to science fiction leans inward—stories that pause, linger, and examine.

This one didn’t.

It kept moving. It kept asking questions. It insisted on being about something concrete: memory, loss, and what happens when no one remembers the people who mattered.

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Why Do We Keep Building Galactic Empires in Sci-Fi?

Galactic empires are everywhere in science fiction—ruling star systems with absolute power, ripe for rebellion or decay. I’ve written a few myself… and torn them down just as quickly. But why do we keep returning to this political model, especially when it’s always doomed to fall? From Dune to Foundation, and even John Scalzi’s surprisingly heartfelt Collapsing Empire, we seem obsessed with watching these mighty regimes unravel. I’ve got theories. But I’m also genuinely curious what draws readers back to the throneworld.

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TV Review: Alien: Earth

Alien: Earth doesn’t just mimic Ridley Scott’s industrial horror vibe—it builds on the franchise’s core themes with chilling relevance. Expect corporate overreach, synthetic humans with suspect motives, and alien lifeforms that are somehow even grosser than the originals. With standout performances (hello, Timothy Olyphant as a philosopher-soldier), tight character arcs, and a gritty, claustrophobic setting, this series delivers more than just jump scares. It’s a smart, unsettling evolution of a classic universe.

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